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2017.05.31 Wed, by

r:ead #5 (2017) – Residency ・East-Asia・ Dialogue on “Myth ・History・Identity”

The current exchange project will make use of related materials to trigger artistic dialogues and inspire creative ideas. Besides bringing participating art practitioners to different historical sites in Hong Kong, the project also involves public talks, sharing sessions and a Documentation & Response Exhibition in order to engage the public in this creative journey about myths. >> Read more
2015.03.07 Sat, by

Opening Reception_Myth/History II: Shanghai Galaxy_Yuz Museum

Yuz Museum, Shanghai, is proud to present “Myth/History II: Shanghai Galaxy”, the sequel to the inaugural exhibition Myth/History: The Yuz Museum of Contemporary Art. >> Read more
2018.09.11 Tue, by

Constructing Mythologie
Edouard Malingue Gallery

Every society is based on strong systems of belief that are part of our culture and daily lives. >> Read more
2017.04.06 Thu, by

Wang Tuo | Myths We Don’t Outgrow

We are delighted to announce the opening of Wang Tuo’s first solo exhibition at WHITE SPACE BEIJING on April 7, 2017. >> Read more
Interviews, 2015.12.18 Fri, by

Zheng Chongbin—Myth, Matter, Medium

In essence, Zheng Chongbin has fought an unwinnable but fertile battle to deconstruct and meld traditions.
 
 
>> Read more
Interviews, 2015.06.29 Mon, by

Out of Myth, Onto Logical, a solo exhibition of Po Po’s works, 1982-1997

Yavuz Gallery is proud to presentOut of Myth, Onto_Logical, 1982-1997, a solo exhibition byacclaimed Myanmar artist Po Po (b. 1957). >> Read more
Interviews, 2015.06.04 Thu, by

Crossovers – A Filmic Exploration of History, Stories and Human Remains(OCAT Shanghai)

OCAT Shanghai is pleased to announce Crossovers - A filmic exploration of history, stories and human remains, organized in collaboration with Arthub. >> Read more
History & Theory, 2014.08.20 Wed, by

The Crude Matter of History: LATENT SPACES at Haw Par Villa, Singapore

The exterior of this former theme park is a chromatic nightmare. A monstrous fabricated rock terrain, the geological terror fortifies the premises in a throbbing sprawl of blood red and sickly yellow. >> Read more
艺术家档案, 2020.11.03 Tue, by

Võ An Khánh – When Documentary Photographs Are No Longer Mementos

Whereas abundant journalistic snapshots tend to collect spectacles of ghastly pain and fortify demarcations between utterly simplified factions, Võ’s most haunting pictures unveil encounters, precarious and transient. >> Read more

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